Archive for the 'Literature' Category



Media Revolutions and “Friends”

Social Media and Friends

When I needed a neighbour
Were you there, were you there?
When I needed a neighbour
Were you there?
And the creed and the colour
And the name won’t matter
Were you there?

One of the most eye-catching and notorious details about Andrew Marvell was his lack of friends. On the one hand, who could blame all those who knew him? He was (or became) a private, suspicious man, angry and fractious at times. He may have had difficult experiences with women and almost certainly did with alcohol.

On the other hand, who could blame him? He was dedicated to his work. He witnessed others readily changing allegiances and forsaking conscience. He witnessed fiendish intelligence networks sabotaging the postal system. And, supposedly, he had to dismiss a corrupt attempt at bribery.

Marvell’s strong aptitude for privacy amidst an expansive public sphere would naturally make his friendships more cautious and selective. Or, was it simply that he cared about what friendship actually meant? The relationship between Marvell and Milton was hardly straightforward, but it persevered, and ‘On Mr Milton’s Paradise Lost’ is a powerful gesture.

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Review: Cosi @ The King’s Head Theatre, Islington

On 12th July, I accompanied a fellow enthusiast to see Knightmare’s Edmund Dehn in the Australian play Cosi at the King’s Head Theatre, Islington. Below is a review of a gripping, humorous, and thought-provoking production.

Louis Nowra’s Cosi is a witty and arresting semi-autobiographical play set inside an Australian asylum in the early 1970s. Theatre graduate Lewis is commissioned to direct a performance with a group of sectioned volunteers. The eccentric Roy (Edmund Dehn), the only member with discernible theatrical interest, champions Mozart’s Cosi fan Tutte with such fervour that it eventually gets adapted to the purpose and its limited cast, none of whom can either sing or speak Italian. The dissection of the musical becomes an absorbing exploration of faithfulness and fidelity, revealing more integral human values in the mentally estranged than in the apparent ‘normality’ of the outside world.

Continue reading ‘Review: Cosi @ The King’s Head Theatre, Islington’

‘To His Coy Mistress’? To Her Coy Master

This last week, so spoilt by social activity, the guards slipped and I revealed far too much. Now I must deal with the inner consequences of opening my mouth and letting fingers run too liberally across the keyboard. There are two ways this can go: either rein it back in and keep up pretences, or try to absolve it from the system. Wherever this takes me, then…

Parallel Lines

About 18 months ago, I joked that one of the most irrevocable traces of Andrew Marvell’s life was still rather unfamiliar to me. Now, I daresay, that has changed. In fact, ‘exalting the muse’ might be a useful description. The parallels only ever seem to run deeper…

"With great admiration, and in friendship, and thinking of the next Marvellians"

What most reviews of Nigel Smith’s new Andrew Marvell biography have not addressed is his controversial method of using the poems as evidence in chronological areas of best-fit. It’s brave and highly worthwhile, and a point worth raising because personal engagement with the poet and his troubled private reflections necessarily tempt us into handling evidence differently.

But how differently? Continue reading ‘‘To His Coy Mistress’? To Her Coy Master’

Privacy and Parliamentary Privilege

Parliament in 1647

This recent period has been plagued with privacy issues, the biggest of which, no doubt, has been the issue of super-injunctions.

While it has been good from a ‘subject branding’ perspective to have been asked about this, to be blunt, I simply couldn’t have cared less. About the surface matter, at least. Footballers and their deviance is nothing new. Nor does it matter to the outside world other than as hot gossip. So little of the intrusiveness of private lives gleefully splayed across front pages can be claimed to have significant public interest.

More interesting is the legal implications when thousands of people have denounced privacy laws by flouting collectively. Continue reading ‘Privacy and Parliamentary Privilege’

“Finders Keepers, holder Seekers hidden Secrets”: Writing in Cryptics

Finders Keepers, Knightmare S7

Most of us are guilty of this at some point: writing in cryptics. Why do we do it? Why express ourselves in terms that are not meant to be understood? Is it, perhaps, a deep subconscious desire to be public with our privacy? Is it more about reaching out, or being reached out to?

Aside from studying a poet forever burying his truth beneath layers of perplexity (if we are ever meant to find it at all), what interests me is the human tendency to overcomplicate problems, either out of shame, embarrassment or in trying to rescue some moral dignity.

Scenario: person A is in a relationship but goes to spend the day with person B, whom they have always had an attraction to. Person A ends the day feeling sheepish, unsettled and awkward, and explains it off as ‘it’s complicated’. It’s not complicated at all, but a collection of guilt and other unpleasant sensations that determines a distinctly defensive response. The majority of us will tie situations in knots to avoid a palpably and unescapably naked truth.

Continue reading ‘“Finders Keepers, holder Seekers hidden Secrets”: Writing in Cryptics’

Brands of Solitude: Poets and their Nature

The highlight of this year has been participating in recordings for The Poetry Show on KUSP Radio, Santa Cruz. This post is indebted to a discussion of Andrew Marvell’s ‘The Garden’ and Christina Rossetti’s ‘In the Willow Shade’ for our fourth installment which aired on 8th May, the best to date.

The Poetry Show, KUSP / Radio Santa Cruz, California

We all enjoy solitude at points in our lives. Privacy is not just a right, one might argue, but a human requirement. We all enjoy that little realm when the door is shut firmly behind us and we can lapse into self-sufficiency.

The fundamental problem is how to draw the right balance. Managing solitude can be vital to our psychological wellbeing. It is difficult to maintain relationships that have little contact, and even harder to develop new ones. We live in times where it is easy to get lost and forgotten if we do not project ourselves publicly. It is rare that people will come looking for us.

Continue reading ‘Brands of Solitude: Poets and their Nature’

The Broken Image

How Doctor Who brings to light one of Andrew Marvell’s most touching moments...

Doctor Who: The Curse of Black Spot #1

There is little more pleasing than the perfect image. There is also real gratification in constructing an image. Over recent months, however, I have come to understand the terrible beauty and power that comes with an image that is broken.

Continue reading ‘The Broken Image’

East Midlands Early Modern Colloquium

Religion, Print and Visual Culture in the Early Modern Period [April 2011].

The second East Midlands Early Modern Colloquium convened at De Montfort University in April 2011 after a three year hiatus. Delegates from Leicester, Loughborough, Nottingham, and Nottingham Trent joined home convenor Siobhan Keenan at the impressive Clephan Building for an equally impressive set of papers. [Full schedule attached here].

Continue reading ‘East Midlands Early Modern Colloquium’

A Long Winter’s Tale

A summary of research activity from January-March 2011. This features a lecture by Nigel Smith at the Andrew Marvell Centre in Hull; a teaching event at the University of York; and the biannual British Milton Seminar at Birmingham Central Library.

Continue reading ‘A Long Winter’s Tale’

“Life is a Jigsaw”: Literary Shapes and Private Thoughts

Bristo Square, Edinburgh

Several years ago, a phrase came into my head on a dark day: “life is a jigsaw”. It was used for a trail of dark introspective thoughts concerning self-image, but it was clearly an analogy that had plenty more to offer.

The phrase is hardly unique to me; Google will attest to that. But my introspective thought has long revolved around shapes. George Puttenham’s Arte of English Poesie (1569), which describes the properties of shapes, reminds us that the study of literature can transgress disciplines and fuse modes of thought creatively.

Original thought is fun to contemplate. Are our lives the equivalent of average undergraduate essays: recasting what has come before in our own way and offering a mere fraction of originality along the way? What constitutes new ideas? What is a ‘philosopher’, for their own chutzpah? Much which challenges subjective realms of thought must owe itself to literature.

Continue reading ‘“Life is a Jigsaw”: Literary Shapes and Private Thoughts’

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