Posts Tagged 'Geneva'



Time Out

[Amended from Original]

There is finally some space to breathe this week. After several weeks of lengthy texts in The Grand Remonstrance, Areopagitica, The Kings Cabinet Opened, we move to two weeks’ respite with poetry. This may prove rather a false dawn. The tasks and reading for the Early Modern Material Text MA Seminar I am shadowing are quite demanding. Prof. Anthony Mortimer will be speaking at our fortnightly Doctoral Workshop next week, with heavy preparatory reading. Earlier this year, Prof. Mortimer asked me about the paper I gave at the Origins Conference in April. Marvell’s elegy was placed within a collection of three (with Sprat and Dryden), and then replaced at a late stage by Edmund Waller’s before publication. The title of my paper, ‘One of the Three’, had been grossly misleading for that reason. As the workshop applies most directly to me, it is important that I make the most of it.

It is always fascinating to see the rise and fall of different components of this kind of occupation. Continue reading ‘Time Out’

Samemes

At the beginning of the summer, I was tasked with creating a poster for the Swiss Association of Medieval and Early Modern English Studies (SAMEMES). It was this newly formed association whose inaugural opening Origins conference/seminar I presented at a few months ago. Having prepared this for the upcoming first main conference, Pretexts, Intertextualities, and the Construction of Textual Identity, a generic version needed to be done again. When patience eventually rediscovered itself, the final version was eventually made.

The aforementioned conference will feature several presentations from Geneva: Petya Ivanova, Ioana Balgradean, Louise Wilson and Sarah Van der Laan; and plenary lectures from Prof. Stephen Orgel and Bristol’s Prof. Ad Putter. Despite the obvious pleasures, I am once again the solitary student male from Geneva, staying in a different building with different arrangements from everyone else. I am not attending the conference dinner, and I’m glad it is only a one-night stay. Finally, on the artistic front, it has been time for a refresh. The course website has been updated, with a new (though simple) homepage. ‘Improvement’, it would seem, is a simple enough, and apt enough, target.

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