Posts Tagged 'Print Culture'

Agency: Too Much Left Unsaid

What is said, matters. How it is said, matters. To whom it is said, matters. When it is said, matters.

The little nuances of our communication are more intricate and powerful than we often care to believe. How much value do we place on the words ‘Love’ and ‘Hate’? When does ‘never’ mean never? Why does one person’s way of speaking catch our imagination in a different way to another?

After the Fact

I’ve had the privilege of hearing the inspiring Tom Lockwood twice before: at the British Milton Seminar in 2008, and at his Chatterton Lecture on John Donne in 2009 (I’m heard 67 minutes in). His recent presentation at Leicester’s Early Modern Seminar on ‘agency’ presented a particular conundrum which is encountered – as often happens – in study and life combined.

What agency do words have after the fact? If something is said too late, does it matter that it was said at all? What if something is not said, or revealed too late?

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Media Revolutions and “Friends”

Social Media and Friends

When I needed a neighbour
Were you there, were you there?
When I needed a neighbour
Were you there?
And the creed and the colour
And the name won’t matter
Were you there?

One of the most eye-catching and notorious details about Andrew Marvell was his lack of friends. On the one hand, who could blame all those who knew him? He was (or became) a private, suspicious man, angry and fractious at times. He may have had difficult experiences with women and almost certainly did with alcohol.

On the other hand, who could blame him? He was dedicated to his work. He witnessed others readily changing allegiances and forsaking conscience. He witnessed fiendish intelligence networks sabotaging the postal system. And, supposedly, he had to dismiss a corrupt attempt at bribery.

Marvell’s strong aptitude for privacy amidst an expansive public sphere would naturally make his friendships more cautious and selective. Or, was it simply that he cared about what friendship actually meant? The relationship between Marvell and Milton was hardly straightforward, but it persevered, and ‘On Mr Milton’s Paradise Lost’ is a powerful gesture.

Continue reading ‘Media Revolutions and “Friends”’

A Vote of No: Social Media and Sacrifices

Regular users of social media networks will no doubt have noticed – if their friends lists are anything like mine – that politics is again becoming a very public sport. I raised some concerns last year about the extent to which social networking sites were turning into moral and ideological crusades when elections came along. Yesterday, a referendum was held on whether to adopt the ‘Alternative Vote’ system, and the same tactics were out in force again.

Continue reading ‘A Vote of No: Social Media and Sacrifices’

East Midlands Early Modern Colloquium

Religion, Print and Visual Culture in the Early Modern Period [April 2011].

The second East Midlands Early Modern Colloquium convened at De Montfort University in April 2011 after a three year hiatus. Delegates from Leicester, Loughborough, Nottingham, and Nottingham Trent joined home convenor Siobhan Keenan at the impressive Clephan Building for an equally impressive set of papers. [Full schedule attached here].

Continue reading ‘East Midlands Early Modern Colloquium’

A Long Winter’s Tale

A summary of research activity from January-March 2011. This features a lecture by Nigel Smith at the Andrew Marvell Centre in Hull; a teaching event at the University of York; and the biannual British Milton Seminar at Birmingham Central Library.

Continue reading ‘A Long Winter’s Tale’

“Life is a Jigsaw”: Literary Shapes and Private Thoughts

Bristo Square, Edinburgh

Several years ago, a phrase came into my head on a dark day: “life is a jigsaw”. It was used for a trail of dark introspective thoughts concerning self-image, but it was clearly an analogy that had plenty more to offer.

The phrase is hardly unique to me; Google will attest to that. But my introspective thought has long revolved around shapes. George Puttenham’s Arte of English Poesie (1569), which describes the properties of shapes, reminds us that the study of literature can transgress disciplines and fuse modes of thought creatively.

Original thought is fun to contemplate. Are our lives the equivalent of average undergraduate essays: recasting what has come before in our own way and offering a mere fraction of originality along the way? What constitutes new ideas? What is a ‘philosopher’, for their own chutzpah? Much which challenges subjective realms of thought must owe itself to literature.

Continue reading ‘“Life is a Jigsaw”: Literary Shapes and Private Thoughts’

Solitariness: A Sweet Side-Note

Rory guards the Pandorica

I’ll be thy Champion to defend
Thy person from all these dangers and harms;
No Army’s so sure as a real friend,
Nor castle defends like a lover’s arms.
But if I can’t daunt ‘em,
By valour and might
Your face shall enchant ‘em,
For beauty can fight.
There’s no armour can men free
From the naked pow’r of such beauties as thee.

Alexander Brome, from To his Mistres affrighted in the wars (1661)

I recently thought a little about what modern interpretations of Shakespeare can offer. What, then, of accidental crossovers – when something from early-modern literature leaps out as being particularly well-suited to a new moment?

People ask (and I often ask myself) why I am fascinated by literature of the English Civil War but so little other war literature. I’ve found three main reasons, for which the above completes the triad.

Continue reading ‘Solitariness: A Sweet Side-Note’

Public Hypocrites and Private Anger

Andrew Marvell Statue, Hull.

What grates so much about hypocrisy? Is it observing people changing their mind? Breaking promises? Breaking trust?

To speak in one way and act in another is something almost all of us do. We would be hypocrites ourselves to deny it. Often, it is a tool of diplomacy, of fitting in, even of subjugating oneself. Just like the well-meaning white lie…

Yet, distinct from the more innocent ‘forgetfulness’ or the more calculated and sinister ‘betrayal’, which often uses secrecy as its veil, hypocrisy often bites because it is flagrantly public; it is exuded through public channels, and knowledge reaches us that way. Inconsistencies and reversals are paraded in disregard of those with whom bonds were formed through the old values now abandoned. Worse still is when the hypocrisy seems fuelled precisely by this form of conquest and deliberately targets those left behind, the victims.

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Measuring Privacy: An Ode

New Horizons (Alphaville)

Winter's enigmatic whiteness (Alphaville: New Horizons)

The weather gripping Britain this weekend is perfectly representative of how the PhD has gone since an Apprentice-style interview in the summer: too much white, and nothing moving very far very fast. Leicester-based Joanna Riley described the process in Wednesday’s penultimate pain-fest as ‘mental torture’. Ironic, then, that December has proved a strangely productive month.

A paper was presented at the Leicester Postgraduate Forum earlier in the month. I returned last week for a bibliographical assessment, and met my supervisor in the British Library on Friday to submit 6,250 words. That’s 8% of the thesis this term, and over 30% in this calendar year.

An iron grip has come from nowhere, thanks to a self-imposed deadline which should have been imposed much earlier. The right ‘formula’ continues to elude, but the weeks of slow reading and constant editing do appear to make something click eventually.

I have looked forward to, and feared, this section the most. Continue reading ‘Measuring Privacy: An Ode’

Marvell in Manuscript and Print

Today I am presenting ‘Marvell in Manuscript and Print, 1649-1665’ at the English Postgraduate Forum in Leicester. Having braved the weather for the second time this week, I am inconveniently left with just enough time for procrastination before the event begins at 5pm. This will be a curious one.

Today marks my fourth ‘trial’ presentation (following two seminars in Geneva and the summer’s PhD upgrade procedure), and the eighth overall, following conference presentations in Fribourg (2008), Cambridge (2009), Geneva (2010) and Hull (2010). A nice balance is reached.

My experience to date is that presentation material can rarely be the same twice. Occasionally, at the highest level, there will be merit in repeating or recycling a paper across expert audiences with different personnel. Otherwise, there is a process to develop and tailor work for the specific requirements of the event.

Continue reading ‘Marvell in Manuscript and Print’

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