Posts Tagged 'Secrecy'



Restoration Recessions

Bridge Over Troubled Water (Bristol)

From the 1660s… the gentry’s prejudice against the moneyed wealth of the City grew ever stronger. More and more beholden to the City themselves for finance to cover their expenses or improve their land, they resented wealth built out of their own difficulties… Royalists particularly blamed the bankers, whom they felt to have had a large hand in the exploitation of royalist estates during the war. The City was (however inaccurately) depicted as dominated by Presbyterians, whose reputation for pious words mixed with sharp practice accorded well with the gentry’s view of the City as a whole. The gentry, it seemed to them, were impoverished as the City got rich. Eventually, some of them felt, their power and influence would go the same way as their wealth. Bankers, said one MP in 1670, “are the commonwealths-men that destroy the nobility and gentry”: they were parasites feeding off, and gradually killing, the wealth and power of the gentry.

Paul Seaward, The Restoration 1660-1688 (Macmillan, 1990), p. 29.

With seventeenth-century precedents in our media revolution and the brand of hypocrisy that bred the expenses scandal, it would appear that the banking crisis – or at least the prominence of the City and the growing dislike of bankers’ wealth – also had early-modern parallels.

Humans always claim to learn from experience, but that only ever lasts until the point when they believe that they know better. That’s when it normally turns out that they don’t know better. Thus, it’s just all one sphere of slow, perpetual motion.

Share

Presenting Privacy: Marvell and London

Thank you for visiting, and for reading. It is nice to receive a few glances every so often. I hope you will come back again.

Fractal Palace

Presenting Privacy

Both professionally and personally, privacy has been a daunting and fascinating topic over the past two weeks. A paper entitled ‘Denying Authorship: Marvell, Maniban and the Quest for Privacy’ was given in Geneva, which was followed by ‘Marvell in Manuscript and Print: Public and Private Experiences, 1649-1660′ at the Andrew Marvell Centre, University of Hull. The Geneva presentation was by far the stronger of the two. The latter was, coincidentally, almost a private affair. Finally, I ended up in Oxford for a ‘Marvell and London’ conference this weekend.

A universal positive in my favour is that people remember the subject. Unlike topographies and typographies, episcopacies and liturgies, privacy is something that everyone can, and in a way, wants to, identify with. We are instantly drawn to exchange and adapt our own sense of privacy with the picture we have of the early-modern world in which our protagonists lived.

And our protagonists are real people. Tapping into somebody else’s psyche and trying to understand the creation of the puzzles rather than the answers is surely to create and define a more colourful literary history. We want to know what there was to hide. We probably won’t find out, but we can be as inquisitive as we like under the guise of ‘history’.

Continue reading ‘Presenting Privacy: Marvell and London’

Circles

Norwegian Angel Stunning Digital Fractal Art

If the paradigm shift can be forgiven, this is a nervous return to the world of thought. (Perhaps I mean sentiment). The impersonal neoclassicist yields to the romantic.

It has something to do with the temporal. Tomorrow morning (28th) marks the ten year anniversary of a nasty incident that shaped much of what I have become in this decade. Aside from the day permeating the calendar, the causes no longer reach me with their unexplained darkness. For the effects, I’m glad to have had the opportunity to address the case personally.

I’m also grateful for new avenues, having moved to London; it has opened my mind to boxes locked by embarrassment. At the end of a long conversation with someone I trust unendingly, the thought just crept into my head. “It’s like…” I reached into my pocket and found two inauspicious copper coins, one of which became a circle of need, the other of asset love. A glimpse of the days of naivety, characterised by little crackpot ideas and crackpot instability.

Continue reading ‘Circles’

Body Schema

After a day like today, recent goblin reminiscence and all, the search for “taking nothing seriously” (relating to this post) rounds itself here. I’m still a boy at heart who finds the childish banal so very funny. Perhaps that is why seventeenth-century literature appeals so much.

The Boys

The Girls

The Boys Again

Richings (left). His fault.

The legend, Matt Richings (left). His fault, as great laughter evolves in pairs.

There are many precedents to this kind of humour in English Civil War material. They come in fascinating shapes, forms, and stories. Continue reading ‘Body Schema’

Privacy, Print, and Politics


It is a fruitful time to be studying the intellectual history of privacy. Privacy has been connected with print and politics since the seventeenth century, and has become a permanent fixture in current news.

The scandal over MPs’ expenses, which has dominated headlines over a good number of weeks, has posed many moral questions about the jurisdiction of public and private information. Even without the revelation of expenses claims, the attempts to hinder the release of members’ claims, and the vilification of those who supported the suppression, (actions which proved the downfall of speaker Michael Martin), may have been evidence enough that there was something rather dreadful to hide.

Conservative MP Sir Patrick Cormack, approaching 40 years of service, remarked that “The times that we are living in are unprecedented as far as Parliament is concerned. What is at stake is the institution of Parliament and its integrity”. We witness a brand of secrecy so corrupt that the only way of maintaining any faith in parliament as a ruling body is to preserve that which is already unknown to the public.

Continue reading ‘Privacy, Print, and Politics’

Crackpot Culture (Gareth Malone)

[First featured in Noted, Autumn 2008]

Gareth Malone

BBC 2: The Choir: Boys Don’t Sing (22/02/08). Gareth Malone.

Since edited to become ‘Boys Don’t Sing’? Gareth Malone and UK Attitudes towards Music

It is so easy to deride someone’s music taste or involvement with music without realising the consequences. The last few years have seen choirmaster Gareth Malone working in schools and communities in England to try and reverse some of the powerful, almost discriminatory, stereotypes that have crept into modern culture.

Music can provide an intimate, private relationship with its listener, in addition to its social, public function. It has the capacity to help people learn other languages, to elevate, stimulate, heal, and have a positive impact upon lives.

Music, we are prepared to admit, is an echo of personality. Choosing what to listen to is one form of self-definition. It could potentially have a significant role to play in forming social bonds. But it can equally become a cause of pressure and inhibition.

Rigged by stereotypes, music is often a fast-track to ridicule. How many personal treasures lie on hidden CDs that must never be exposed? How many times have we pretended to love songs purely because they are ‘arbitrarily popular’, in order to benefit reputation? There is almost always some level of deception or silence regarding music taste which is designed to uphold a social credibility. The connection with age could be the most crucial of all.

Continue reading ‘Crackpot Culture (Gareth Malone)’

« Previous Page


Archives

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 186 other followers


Follow

Get every new post delivered to your Inbox.

Join 186 other followers